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My
Fair Lady, a musical adaptation of George Bernard Shaw’s Pygmalion
STUDY GUIDE
First,
the myth of Pygmalion….
Pygmalion was a gifted sculptor from
When he had finished the statue, Pygmalion found it so
lovely and the image of his ideal woman that he clothed the figure and
adorned her in jewels even though she was an counterfeit creation. He
gave the statue a name: Galatea, sleeping love. He found himself
obsessed with his ideal woman so he went to the temple of the
goddess Aphrodite to ask forgiveness for all the years he had shunned
her and beg for a wife who would be as perfect as his statue.
Aphrodite was curious so she visited the studio of the
sculptor while he was away and was charmed by his creation. Galatea was
the image of Aphrodite, herself. Being flattered, Aphrodite brought the
statue to life. When Pygmalion returned to his home, he found Galatea
alive, and he humbled himself at her feet. Pygmalion and Galatea were
wed, and Pygmalion never forget to thank Aphrodite for the gift she had
given him. He and Galatea brought gifts to her temple throughout their
life, and Aphrodite blessed them with happiness and love in return.
GENERAL
INTRODUCTION OF THE PLAY AND CHARACTERS
1.
What event are the people
leaving at the story begins?
2.
What purpose does the rain shower serve?
3.
Why does the flower girl protest, “I am a good girl, I am !”
4.
The note taker is assumed to be of what profession? What actually is his
profession?
5.
What does the note taker say about a "woman who utters such
depressing and disgusting
sounds"?
6.
The note taker brags about what he could do for the flower girl within
six months. What does he claim?
7.
What do Higgins and Pickering have in common?
8.
In a well-written musical play, the lyrics in the songs take the
place of dialogue and serve
to move along the plot, develop the themes and/or better develop the
characters. Why does Higgins
sing, “ Why can’t the ___________________ teach their
________________ how to ___________________ ?”
9.
Eliza sings a song when she is back near
10..
When Higgins recognizes the flower girl at his house the next day, what
is his reaction?
11.
What does Eliza Doolittle
want?
THE
BET AND THE FULFILLMENT
12.
Even after he agrees to teach her, what is Higgins' attitude towards
Eliza?
17.
Why is Alfred Doolittle looking for his daughter?
Does he see her often? How
do you know?
indicate?
19.
Why does Alfred Doolittle come to see Professor Higgins?
23.
When Henry playfully dances
with Eliza in the study, how does the balance of the play change?
25.
Eliza’s manner of
speaking is changing, but what about her self-identity and values is
also changing?
28.
Does Eliza “look the
part” that day? How?
30.
Henry’s mother, though
kind, needs to explain something to Henry about Eliza at this stage.
What does she say?
31.
Who is Freddy Eynsford
Hill? Do you recognize him?
33. How is this evening another test? For whom?
34.
Who is Nepommuck?
Does Henry Higgins like him?
35. Is Eliza successful at the ambassador’s reception? What rumors circulate about her?
36.
What is society’s
definition of a “lady”—from the perspective of the people at the
reception.
How
has the evening been a difficult one for her?
39.
What is Higgins' advice to Eliza when he realizes she is upset (although
he cannot understand why she is upset)?
The major conflict in the play is now out in the open.
Explain.
person
outside?
43. Later, she vehemently
sings to Freddy, “ If you’re in love—show me !”
Is she really singing to Freddy or someone
else? Why is she
upset?
44. Eliza has a taxi take her somewhere. Where does she return? Does she belong there anymore?
45. Eliza meets her dad at
46. How has Alfred been ruined by Henry?
47. Alfred is on his way somewhere and sings a song about it,
“Pull out the _________________________/ Let’s have a
___________________________/ But get me to the
___________________________ on time !”
What does the song tell us about Alfred now?
48.
What does Henry Higgins tell
not?
55. After Eliza tells Henry that he can listen to her voice on the gramophone if he misses her, he replies to himself, “But I can’t _______________ your ________________ on.” What does this reveal about Henry Higgens?
56.
Eliza asks why she should
return. Henry tells her
what?
59. Eliza then sings to Henry, “You are not the beginning or the ______________________ . There’ll be ___________________ without you.” What opinion is she convincing herself of?
60.
On his way home, Henry is clearly
conflicted. He switches
between two songs. One
laments, “I’ve gone accustomed to your
__________________________,” and the other exclaims, “I’ll never
____________________ her back.” What
is confusing Henry Higgins?
63
How do you characterize the
relationship between Henry Higgins and Eliza at this point in time?
****Discussion
Questions over the Entire Play****
64.
I recently asked you to explain a
story that made you, the reader/audience, feel both “pleasure and
disquietude.” How does the
ending of the play offer you the same two emotions?
Why?
68.
How do Henry Higgins and
Alfred Doolittle get educated during the play?
69.
In Shaw’s ending of the
play, Eliza marries Freddy and works in a flower shop to support them.
They remain friends with Henry Higgins and Pickering.
Why do you think Shaw chose to deviate from the Pygmalion
myth’s ending in his original?
70.
Has Higgins
learned something new when he says to Eliza, "I can’t turn your
soul on.” What will he
miss about not having her at his house?
71.
What does this
play suggest as possible results of education? Do teachers and students
alike need to be concerned about those results?
72.
What does the
play suggest about the differences between social classes? What does it
suggest about marriage and family?
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